2019 Programme

PUBLIC BOOKINGS FOR THIS YEAR’S MINEHEAD & EXMOOR MUSIC FESTIVAL WILL BE AVAILABLE FROM MONDAY 17th JUNE FROM:

The Regal Theatre Minehead. 
01643 706430 
www.regaltheatre.co.uk


Minehead & Exmoor Music Festival Programme 2019

 

The programme for this year’s Minehead Music Festival concerts is:

Sunday 28th July at Minehead Methodist Church

7.30pm Young Artists concert given by Ellen Steward (Soprano) and Hetty Christopher (Trumpet)

Monday 29th July at Regal Theatre, Minehead 

Mozart.    Symphony No 31

Strauss.    Oboe Concerto (Soloist Suzie Thorne)

Beethoven.  Symphony No 4

Wednesday 31st July at Regal Theatre, Minehead

Kodaly.  Dances of Galanta

Mozart.  Piano Concerto in D Minor K466 (Soloist Mengyang Pan)

Tchaikovsky. Symphony No 5

Thursday 1st August at Avenue Methodist Church, Minehead
4.00pm Chamber concert:

Beethoven Rondino for Wind Octet

Weber Trio for Flute, Cello and Piano

Mozart Serenade in C minor

Saturday 3rd August at Regal Theatre, Minehead

Brahms. Variations on a theme of Haydn

Grieg.    Piano Concerto (Soloist Cyrus Cheng)

Elgar. Enigma Variations

 

All concert tickets for the Minehead Music Festival can be purchased at the Regal Theatre Minehead from Monday 17th June.
01643 706430 
www.regaltheatre.co.uk

 


 Minehead and Exmoor Festival Orchestra

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The orchestra which plays a pivotal role in each year to the Minehead Music Festival was originally founded by Tim Reynish in 1963. It has been running in its present form for thirty years under our Artistic Director, Richard Dickins. A core of the performers have been coming for all of that time. Others have joined more recently and every season sees some joining for the first time.

The players are drawn from all over the country but most come from the London area where many of them perform with well established orchestras and chamber groups: past leaders have included Maya Magub from the London Mozart Players and Gonzalo Acosta, associate leader at English National Opera. One or two performers do live locally but the reason we look further afield is to find instrumentalists who will maintain and, where possible, improve on the well established high standards our audiences have come to expect. The fixing of players is done by the orchestra’s section leaders and this ensures high quality and helps the players gel as soon as they arrive and play well together.

With Richard Dickins’ help we are able to enjoy performances by well established international soloists as well as up and coming stars.

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